Communication in Neolithic and Copper Age, from
symbols to writing
Very early in
their history humans started to communicate by means of symbols and signs in
addition to speech and body gesture. Still in the Upper Palaeolithic, our
ancestors incised and painted signs in order to express and transmit a concepx,
an ownership, a special message, etc. Gradually, this led to the appearance of
writing technology.
In Southeastern Europe, throughout the
Neolithic and Copper Age period-from c. 6400 to c. 3500-3400 BCE-the so-called ''Danube Civilization'' flourished. The Danube River and its tributaries
favored the emergence of an institutional, economic, and social network of
developed cultures. They were characterized by extended subsistence
farming economy and lifestyle through the improvement of agrarian land and
technology, a tendency toward sedentary life in permanent settlements,
proto-urbanism with concentrated agglomerates organized by planned layout,
solidly built dwellings, and a tendency to distinguish profane (abodes,
workshops and tribal/communal dwellings) and sacral (sanctified spaces and
temples) architecture. The Danube Civilization was also distinctive for
advanced technologies (particularly in weaving, pottery, building and
metallurgy), long distance trade, and expansive exchange that even involved
status symbols and luxury goods. It exhibited the development of many household
activities and skills such as spinning, weaving, leather processing, clothes
manufacturing, shoe fabricating, and the manipulation of wood, clay, and stone.
It speaks of a specialization of labor and social complexity, even if within
the context of a semi-egalitarian social structure. The socio-economic system
was associated with a complex ideological system connected to the agricultural
creed of fertility and fecundity, elegant and cultured art, refined patterns of
magic-religious imagery, an intense spiritual life, sophisticated religious
organization and ritual.
The
complexity reached in the economic, social, institutional and cultural frames
required an IT innovation to record, manipulate and transmit increasing
packages of information. An effective system of communication was established
(the Danube Communication System) by the means of tallies, marks,
emblems, symbols and signs, of which a not language-related writing technology
was a crucial component.
Until now,
several components of the Danube Communication System have been
identified.
1. It was
comprised of magic-religious symbolism and divinity insigna. They were incised and
painted on many clay vessels. In many cases, this symbolism was connected with fertility
rites and cults. A separate class of objects has special W and M-shaped
decoration. An example is the large vessel below. It was recovered at the Neolithic
village of ''La Marmotta'' (Italy) within a hut interpreted as a ''sanctuary-hut'',
an inhabitation provided with a cult room. Clear are the depictions of sun and
ear of corn on the vessel; while the representation of a figure in oration is
suggested interpreting the two ''zigzag'' motifs as open arms, with wide spread
fingers (the fringes located at the extremities) as if in a pleading position.
The position of one of the ear of corn below one of the arms suggests the
participation to a ritual connected to a cycle of plants and the fertility of
the earth. The three elements, the sun, the ear of corn- connected to
agriculture and plants- and the figure in oration can therefore represent, as
in a meta-language, the plea to a divine power to help and protect the crop.


Vessel with a figure
of a praying human, 6800-6100
BC,
the Pigorini Museum.

Clay figurine and pintadera (seal) with incised signs.
4900-4800
BC Regional Museum of History, Vratsa
A very
popular symbol in the prehistoric art is the spiral, which appear alone or in
combination with other signs (sun-like designs, rhombi, lines, etc.). It might
represent a code related to the eternal power of the circle of Life, and could
be connected to the spiral shape, or the ''sleeves'' of the Universe.

Spiral
and angular symbols, 5000 BC, Regional Museum of History, Veliko Tarnovo
2. Emblematic and
schematic ornaments were an important element of the Danube Communication
System. The painted polychromic
decoration by application of black and red pigments on has been interpreted as
conveying the idea of the Great Mother Goddess praying for rain. The vessel was
found at Gradeshnitsa and belongs to the Gradeshnitsa culture (4800-4700 BCE).

Vessel presenting the Great Mother Goddess, praying for
rain; Copper Age (5600-5400 BC), Gradeshnitsa, Regional Museum of History, Vratsa
3. Sky atlases with
constellations celestial bodies (sun, moon, and planets) and their motions were
a central component of the Danube Communication System. The vessel below belongs
to the late phase (B) of the Cucuteni culture, characterized by decoration
painted with black color on a cream-yellow or white background. The complex
geometric decoration might transmit a meaning: the four circles with a cross in
the centre could represent the four phases of the moon, each circle being
decorated with a horn. Similarly decorated vessels were found in Romania (Frumuşica, Târgu Ocna, Valea Lupului), in Republic of Moldova and in Ukraine.
Vessel,
4000-3500 BC, Romanian National Historic Museum
A scheme of
lunar cycle was
deeply incised 6500-6300
years old on a pintadera discovered
at Peklyuk (Bulgaria).
The
Sălcuţa-Krivodol pintadera from
Peklyuk
with scheme of lunar cycle,
4500-4300 BCE
A mignon
''cosmic globe'' depicting constellations of 7000 years ago was found at Slatino
(Bulgaria).
Spindle-whorl
with representation of asterisms, first half of 5th millennium BC,
Regional Museum of History, Kyustendil
4. There were
also calendrical
and chronographic annotations as the Solar-lunar calendar incised 6800 years
old in checkerboard mode on a miniaturize oven from Slatino (Bulgaria). .
Model
of oven and calendar, first half of 5th millennium BC, Regional Museum of History, Kyustendil
5. Another
component of the Danube Communication System was constituted by notations
relating to expressing numbers and/or numerology. The nine holes deeply incised on a Middle
Neolithic seal discovered at Sesklo (Thessaly, Greece) might be connected with
numbers and measures. Large size of this settlement and high quality of the
artifacts found there lead to consider it as a center of several villages surrounding
it. A sort of central government of the community was taking care, among other
things, of the storage of harvest and seeds. It is possible that the owner of
the seal was responsible for the accounting and distribution of the foodstuffs.
Clay
seal, 5800-5400 BC, National Archeological Museum of Athens
6. Signs on
bottoms of vessels might represent personal and family identifiers, ownership
marks, producer's insigna, or signs of lineage recognition or community
affiliation.



Monograms
and pictograms on bottoms of vessels, 4900-4800 BCE,
Regional
Museum of History, Vratsa
7. Within the
Danube Communication System, indications of a scripx are apparent too, although
very archaic and able to express concepxs but not language. This IT innovation
enabled Neolithic and Copper Age communities to create archives collecting,
metabolizing, accumulating, and spreading the knowledge they had acquired. It
reinforced group solidarity and communal identity, supported humans to build
dwellings, cult places and proto-cities, conveyed inspirational meanings, and
helped them to understand and interpret natural environment, human milieu, and
divine commitment.
With the most
recent archaeological discoveries, it becomes increasingly difficult to uphold
the hypothesis that Sumerian pictograms represent the earliest writing. A
crescent number of scholars assumes that a writing system developed even
earlier, about 7000 years ago, in the frame of the cultural context of Danube
civilization, the Danube scripx aimed to transmit ideas and
concepxs. The Danube civilization left enigmatic signs impressed on vases,
plates, seals, anthropomorphic figurines and weights, which scholarship investigates
trying to understand the meaning.
A mythogram
of 8000 years ago utilize symbols and signs of writing to illustrate Sun-Moon
intercourse. The
statuette's quadrilateral base bears an inscripxion composed of signs of an
archaic version of the Danube scripx: ''N'', ''X'', ''V'', ''/\'',
''<'', ''>'', parallel horizontal lines and a lozenge.
The mythogram from Ocna Sibiului - Triguri (Romania), 6000-5900 BCE,
Brukenthal National Museum, Sibiu
One of the
earliest evidence for existence of writing in Neolithic Southeastern Europe
comes from three tablets with signs from Tartaria (Romania). They are
considered the icon of the Danube scripx and the Danube civilization. The sacred
signs were deposited with skeletal remains to consecrate a deceased – an old
and a revered woman - as novel ancestor. Evidence of same and similar signs had
been known and investigated since the archaeological excavations carried out in
Southeastern Europe throughout late XIX and early XXI century.
Tablets
with signs from Tartaria, about 5300 BCE, National
Museum of Transylvania, Cluj
A medallion or discoid
amulet of 6900 years ago is narrating the Earth insemination by the Sky or a
human sacrifice. It comes from the settlement of Turdaş-Luncă (Romania). From the stratigraphic point of view, it belongs to the early phase of the
Turdaş culture.

The incised medallion or amulet from Turdaş-Luncă (Romania), 4900-4800 CAL BCE, Museum of Dacian and Roman Civilization, Deva
A shallow
vessel bearing signs of a scripx, or constellations and a Moon calendar was
recovered at Gradešnica (Bulgaria) and dated 4900 - 4800 BCE.
Emblematic
signs on a Copper Age shallow vessel from Gradeshnitsa,
4900-4800 BCE, Regional Museum of History, Vratsa
The signs on
the mignon vessel from Gradeshnitsa chronologically can be compared to the
signs on a clay stamp-seal from the layer Karanovo VI in South Bulgaria.
Clay
seal with signs from Karanovo, middle of 5th millennium BC,
National Museum of History, Sofia
A mignon vessel
from Daia Romana (Romania), 4830-4500 CAL BCE, has long and complex inscripxions
incised on the external bottom and the internal rim.


A
inscribed miniaturize pot from Daia Romana (Romania),
4830-4500 CAL BCE,
Brukenthal National Museum, Sibiu